バロック期のD管フラウト・トラヴェルソ
１７世紀の後半と１８世紀の楽器音楽の成長によりフルートの構造が大きく変化しました。Esキイができて、管体が円錐管になり、マウスピースが大きくなり、音量がかなり増えました。三・四部式のフルートが登場しました。そのリング／管先の増強部にはたいてい象牙が使われました。フルートの製作に使う木材はセイヨウカジカエデ、ヨーロッパカエデ、烏木、プラム、セイヨウツゲ、オリーブなどでした。フルート贅沢なバーションは完全に象牙で作られました。
GTのバロック・フルートは烏木、セイヨウツゲ、アフリカン・ブラックウッド、ローズウッドと紫檀です。リングは偽象牙のプラスチックまたは海外木材で製作いたします。キーは純粋の銀です。
現在、バロック・フルートを415 Hzと440 Hzの二種類を製作しております。それはB. Kuijken コレクションのG.A. Rottenburgh (1703-1768)のコピーとA.Grenserのコピーです。A.Grenserの本物はドイツのニュルンベルクの国立博物館で見ることができます。
運指表
How temperature affects on height of sound in woodwinds instruments
録音
Joseph Bodin de Boismortier (1689-1755) - Rondeau from Suite de Pieces qu'on peut jouer seule [6 Sonates suivies d'un nombre de pièces, op. 40, Paris 1732]
Joseph dall'Abaco (1710-1805) - Capriccio no. 4 from 11 Capricci for violoncello solo (arr. for bass flute)
Radosław Orawski
Graduated with distinction from the Academy of Music in Lodz in Magdalena Pilch's transverse flute class, and is currently studying the recorder in the class of Marek Nahajowski. He has attended many masterclasses led by prominent pedagogues such as Kate Clark, Georgia Browne, Corina Marti, Karolina Zych, Peter Frankenberg, Raphael Alpermann, Nicolas Parle, Katarzyna Drogosz, Stefan Plewniak, Henryk Kasperczak and Sirkka-Lisa Kaakinen Pilch. He plays many types of transverse and recorder flutes, from Renaissance to 19th century simple system flutes. As a chamber musician (Barque Ensemble, Alba del Mondo, Musica Perennis, La Viva Fiamma) and orchestral musician (Altberg Ensemble, Capella Warmiensis Restituta, Das Lausitzer Barockensemble, Diletto), he has performed at various Polish early music festivals. He is also a member of a male vocal ensemble The Singing Heads.
Kamil Szymczakowski
Harpsichordist currently enrolled in early music performance programme at Grażyna and Kiejstut Bacewicz Music University in Łódź under the guidance of prof. dr hab. Ewa Piasecka and dr hab. Ewa Rzetecka-Niewiadomska. He participated in numerous masterclasses such as Piccola Accademia di Montisi with Christophe Rousset, Varmia Musica Academia with Ewa Mrowca-Kościukiewicz, and Musik und Kunst Privatuniversität Vienna Harpsichord Masterclass with Nicholas Parle.
His artistic activity is focused on Johann Sebastian Bach’s musical output, ranging from solo music performance to managing ensemble projects. His field of expertise also includes French baroque music, classical and modern repertoire.
Pierre Gaultier de Marseille (1643?-1696) "La Tendresse" z "Suite en D la ré Bémol & Bécarre" , "Symphonies divisées par suites de tons" (Paris 1707)
Arcangelo Corelli (1653-1713) Adagio z Sonaty op. 5 nr 4 ( Rome 1700),transcription for flute and basso continuo
More about performer
Magdalena Pilch
"Sonata a moll", C.P.E. Bach
"Partita a moll", J. S. Bach
"Fantasia", G. P. Telemann
写真
Flute traverso G.A.Rottenburgh 440 Hz
Baroque flute traverso fife- C.Schuchart in c 440 Hz
In the 90s of the 20th century, a sunken ship, the” General Carleton”, was found near the Polish coast in the Baltic Sea. Many threads were found in its remains, including a small transverse flute, two-piece in boxwood “fife” at c 440 Hz. That flute is in perfect condition. The flute was made in 18th century In the workshop of the English builder -Charles Schuchart. The original can be seen at the Maritime Museum in Gdańsk, Poland. In August 2022, I took measurements of this flute in this museum, now I managed to make perfect copies in my studio.
Baroque bass flute traverso in G 415 Hz, Caleb Gedney (1729-1769)
Joseph Bodin de Boismortier (1689-1755) - Rondeau from Suite de Pieces qu'on peut jouer seule [6 Sonates suivies d'un nombre de pièces, op. 40, Paris 1732]
Joseph dall'Abaco (1710-1805) - Capriccio no. 4 from 11 Capricci for violoncello solo (arr. for bass flute)
Baroque flute piccolo: I.H.Rottenburgh
A. Grenserのコピー 交換部品付き415, 430, 440 Hz
G. A. Rottenburgh のローズウッドのフラウト・トラヴェルソ
G. A. Rottenburgh のセイヨウツゲのフラウト・トラヴェルソ
G. A. Rottenburgh のアフリカン・ブラック ウッドのフラウト・トラヴェルソ
J.W. Oberlender
Thomas Stanesby Jr (1692-1754)
Hotteterre 392 Hz (around 1700)
Early Baroque Flute - Assisi 392, 440 and 415 Hz
Arcangelo Corelli (1653-1713) Adagio z Sonaty op. 5 nr 4 ( Rome 1700),transcription for flute and basso continuo
Pierre Gaultier de Marseille (1643?-1696) "La Tendresse" z "Suite en D la ré Bémol & Bécarre" , "Symphonies divisées par suites de tons" (Paris 1707)
Naust , 4 parts, 392 Hz
How temperature affects on height of sound in woodwinds instruments
